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FEATURE
WORLDBEAT ALBUMS
All
reviews by Cal Koat
Check out other Album Reviews


HOT NEW GLOBAL MUSIC
RELEASES
October
2006
Kinky
– Reina (Nettwerk)
Global artists who want a
bigger presence in the
competitive North American
market need more than just
a straight forward
approach. So, it helps
when your band name is
‘Kinky’. This five-piece
from Monterrey, Mexico has
now set up a branch office
in Malibu, California to
help them build an
American fanbase for their
new CD called ‘Reina’.
But, things didn’t go
exactly as planned. They
set out to record the
album in a quiet cabin in
the Southern California
hills, only to have their
sessions interrupted by a
giant mudslide. Singer,
Gilberto Cerezo explains,
“Working inside a studio
completely covered in mud
was like being inside a
huge chocolate cake. It
made us think of the
Mexican Quinceanera
parties where parents make
a giant celebration out of
their daughter’s fifteenth
birthday. The girls wear
big, uncomfortable dresses
just to be Queen or Reina
for one day.” Already
fixtures in Mexico’s
alternative underground,
Reina should give Kinky a
shot at establishing a
beach head on the
international music scene
… literally. There’s more
English on this new disc
but it hasn’t diluted
their quirky style of
electronic rock or their
twisted sense of humor.
Standout tracks include
the first single, Sister
Twisted and Monday Killer,
a kind of ‘Son of Low
Rider’ that features
former Men At Work
frontman, Colin Hay.
Calexico
– Garden Ruin (Quarterdeck
Records)
In Southern Arizona, the
US Mexican border is
really just a line in the
sand. Here, the Sonoran
desert ripples with heat
waves and bristles with
giant cactus. Joey Burns
and John Convertino have
made Calexico’s sound
reflect this rugged
wilderness and its people,
on either side of the
fence. Calexico recently
made the move from city
life in Tucson to the
isolated Victorian mining
community of Bisbee,
Arizona. There isn’t even
cell phone service in
Bisbee, because the town
was built in a steep
ravine. But, that hasn’t
kept the band from their
fans and friends in global
music. They recently
contributed to the new
album by the French
collective, Gotan Project
and they performed a
celebrated concert at the
Barbican Theatre in
London. Burns and
Convertino admit they tend
to dive deep into
political waters when they
are songwriting and that
tradition continues on
Garden Ruin … so do their
gorgeous atmospheres of
mariachi –style horns,
lonesome pedal steel and
spaghetti western guitars.
The album opener sets the
tone with a breathtaking
comment on environmental
corruption called,
‘Cruel’. Hopefully with
Garden Ruin, Calexico will
lose their reputation as
‘the best band you’ve
never heard of’.
Elisete
– Gaagua (Longing) (IMP
Records)
As the experts struggle to
find difficult solutions
to complex global issues,
the joy of sharing simple
pleasures is an effective
tool which is too often
overlooked. Elisete is a
striking performer who was
born in Salvador de Bahia,
the daughter of an officer
in the Marines. Duty
called him in 1991, and
Elisete found herself
living in Israel during
the time of the Gulf War.
She chose to stay there
and use her gift of music
to help ‘bring simple joy
to the hearts of the
Israeli people’. Showing
her extensive talents and
amazing determination, she
has released five albums
and numerous videos which
have been well-received in
Israel and around the
world. What’s most
impressive is that Elisete
writes the lyrics in her
native Portuguese and then
translates and sings them
in Hebrew!
She says, “Good vibes are
something people in Israel
need very much. It’s a
difficult country and
artists have an obligation
to try and improve the
society they live in.”
Gaagua is the follow-up to
her other international
release available on these
shores, called ‘Luar e
Café’. Both albums are
brimming with soft and
breezy melodies over
samba-driven beats ...a
perfect prescription for
personal or collective
melancholy.
Ziggy
Marley – Love Is My
Religion (Tuff Gong)
Bob Marley’s first born
has become a master
songsmith in his own
right. And, like his
father, Ziggy has the
knack for introspection
and global awareness. His
new solo album, the second
after ten years with The
Melody Makers, was written
in locations around the
planet. Over reggae
grooves and African
percussion, Ziggy
meditates on universal
themes like brotherhood,
spirituality and of course
… love. His devotion to
the power of love inspired
the album’s title track.
The song tells the story
of
“a man, searching for
inspiration, being tempted
by different influences
and then finding his own
path in love and freedom."
Its message of unity is
something which Ziggy
believes “needs to be
preached in the churches,
mosques and synagogues.”
The disc finds Ziggy
Marley, on the road to his
own spiritual
enlightenment where ‘Love
Is My Religion’.
Buika
– Mi Nina Lola (Warner)
Concha Buika was born in
Palma de Mallorca,
surrounded by a rich
diversity of Spanish
sounds. Her parents came
from Equatorial Guinea to
settle in Mallorca’s
predominantly gypsy
community. But, it was
while she was in London,
studying music
interpretation that she
accepted an invitation to
see jazz guitarist, Pat
Methaney in concert. That
show changed her life and
inspired her to combine
all the musical elements
she had grown up with. Her
sandpaper voice and
emotional delivery have
prompted comparisons to
Tina Turner, Lola Flores
and Sarah Vaughan. On
Buika’s first solo album,
she blends flamenco soul,
jazz and funk to dramatic
effect. But don’t paint
this talent into a corner.
Buika is adding other
musical styles like House,
Dance and Electronica to
her growing repertoire.
She’s also taken on
production projects for
stage plays and movie
soundtracks.
CSS
– Cansei De Ser Sexy (Sub
Pop)
With a population of
eleven million and an area
of over fifteen hundred
square kilometers, Sao
Paulo is the largest city
in the Southern
Hemisphere. It’s grown so
quickly that major traffic
jams are part of everyday
life. So, it was a stroke
of luck that CSS found a
deserted stretch of
highway where they could
shoot their debut video.
Watch for it on word.beats.
The band is the product of
the blind ambition of five
girls and one guy. Like
the early punks of the
80’s, CSS couldn’t even
play their instruments
when they started. But,
they wanted to create
something new that thumbs
its nose at pop celebrity
while shamelessly
glorifying its appeal.
Their new album on the
notorious Sub Pop label is
a raw and cheeky reproach
of pop culture. The songs
are unpretentious and
unpolished with titles
like ‘Let’s Make Love And
Listen To Death From
Above’ or ‘Meeting Paris
Hilton’. Kudos to them for
notching up the curiosity
factor. By the way, CSS
stands for Cansei De Sur
Sexy or ‘Tired Of Being
Sexy’.
Michael
Franti & Spearhead – I
Know I’m Not Alone (Anti-)
When Michael Franti told
his management that he
wanted to visit Baghdad,
his team was prepared for
a logistical nightmare.
The truth is, Iraq is
currently considered
American-occupied
territory and a US citizen
is only required a valid
passport to enter … that,
and of course, a lot of
courage. Franti’s new DVD,
‘I Know I’m Not Alone’
chronicles his adventures
into this war zone with
remarkable stories and
insights. Unlike other pop
music culture global
do-gooders, Franti allows
the images and emotions to
pass directly to the
viewer without
editorializing or drawing
attention to himself. The
integrity of his
conviction to the concept
of peaceful coexistence is
undisputed as he places
himself in the crosshairs
for the sole purpose of
discovering some greater
truth. The images are
packaged neatly with
concise editing and
continuity and are
accompanied by some
heartfelt and intimate new
songs.’ I’m Not Alone’ has
been praised for revealing
the “oneness of the human
family”. It was a winner
at the San Francisco World
Film Festival and the
Slamdance International
Film Fest. Check out
Michael Franti and
Spearhead’s new studio
album Yell Fire while
you’re at it.
September
2006
Sergio
Mendes – Timeless
(Concord)
Forty years ago, Sergio
Mendes became the biggest
Brazilian music star in
the world with his
breakthrough album,
‘Sergio Mendes and Brazil
66’. His career was
reignited this year when
Will.i.am from the Black
Eyed Peas literally showed
up at his door one day
begging to work with the
veteran music star on an
urban remix of some of his
Brazilian classics. The
result is ‘Timeless’, one
of the biggest comeback
albums in popular music.
Will.i.am and Erykah Badu
turn up the heat on the
old Mendes hit, ‘Slow Hot
Wind’ while the Black Eyed
Peas have their hip hop
way with his most
memorable hit, Mas Que
Nada. Sergio Mendes and
Will.i.am have since
become fast friends. The
BEP rapper told Mendes he
discovered his music in a
record store when he was
just fifteen and it was
influential on his career.
The 65 year old Mendes
admits, “He was really
touched by that”.
Fiamma
Fumana – Onda (Omnium)
The good book says, “A
prophet will always be
held in honour except in
his own hometown.” Fiamma
Fumana has achieved
international acclaim for
breathing new life into
the ‘rice gathering’ folk
songs from the Emilia
Romagna of Northern Italy.
The band has just released
their third album called
‘Onda’ or ‘Wave’ but,
surprisingly, MTV Italia
is refusing to put the
first video single from
the disc in rotation!
Well, as the new Fiamma
Fumana website boldly
proclaims, “If you can’t
ride the wave, you’re
going to go under.
Technology and
communications are the new
weapons in the same old
mission: to find, claim
and keep our place in the
world.”
Lorenzo Cherubini and MC
Navigator trade raps on
the title track, Prendi
L’onda. After extensive
auditions, the band also
has a new lead singer
following Silvia Orlandi’s
decision to pursue a solo
career. Lisa Kant, a
vocalist from Tuscany
brings a background in
electronic music and
fashion design to the new
Fiamma Fumana.
Tiempo
Libre – What You’ve Been
Waiting For (Shanchie)
Musicians routinely make
sacrifices to pursue their
passion and sometimes,
they take some risky
chances. When the members
of Tiempo Libre were
growing up in Cuba, they
got their dose of American
popular music by tuning in
Miami radio stations, a
practice that is expressly
prohibited on the island.
Now, they’ve made Miami
their home base and are
retooling Cuban music for
the next chapter in its
evolution. This seven
piece powerhouse play
Timba, a mix of
high-voltage Latin jazz
and seductive Cuban son.
Each an exceptionally
gifted musician, they’ve
made time between their
personal projects to
pursue a mutual dream of
creating the first
authentic, all Cuban timba
band in the United States.
That’s why they chose the
name Tiempo Libre or ‘Free
Time’. In addition to
performing and recording,
Tiempo Libre are
developing a reputation
for their educational and
outreach programs,
teaching inspiring classes
in rumba, Latin jazz and
traditional Cuban music.
Claude
Duke – Songs From Brazil
!! (Dukedom Records)
Brazilian music is back in
a big way, not that it
ever went anywhere. Music
is oxygen in Brazil. It’s
in every breath, on every
tongue. In North America,
the sheer volume of the
Brazilian creative output
makes it ideal fodder for
compilations. Consumers
can sample the sounds of
Brazilian football music,
Carnaval sambas, Electro-Bossa
chillouts, the new Mangue
Beat or even revisit the
Tropicalia movement. But,
with the rhythm, one must
also consider the romance.
Vancouver artist, Claude
Duke has lovingly
assembled and interpreted
some of Brazil’s
quintessential love songs
by its most celebrated
composers, from Carlos
Antonio Jobim and Vinicius
de Moraes, to Ary Barroso,
Djavan and others. Duke’s
rich, bell-like baritone
floats on the sensuous
textures of his guitar and
the keys and beats of his
musical compadre, Cuban
pianist Antonio Delgado.
Special contributions by
Alejandra Catica,
guitarist Moreza and the
horns of Victor Bongat
flesh out the mix, but
it’s Duke’s impeccable
phrasing and delivery that
allow the timeless beauty
of these compositions to
shine through. Songs From
Brazil!! Is a gorgeously
packaged compendium of
Brazil’s most memorable
musical gifts.
Eccodek
– Voices Have Eyes
(Independent)
The biggest challenge in
fusing traditional ethnic
elements and electronics
is finding balance. Voices
Have Eyes achieves
equilibrium between the
beats and between the
disparate natures of the
ancient and the
unexplored. Producer,
mastermind Andrew
McPherson has pulled
together a global nexus
that includes the ghazal
poetry of the Indian
subcontinent courtesy of
Canadian luminaries like
Kiran Ahluwalia to the
tribal harmonies of
Pacifica with the Savusavu
Choir. Voices Have Eyes
combines the talents of a
huge cast of vocal and
instrumental talents
reflecting the cultures of
Mali, Turkey, Fiji,
Rwanda, India and beyond.
These are Canadian global
atmospheres, which spin
with the best continental
Europe and the UK have to
offer.
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