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HOT NEW GLOBAL MUSIC RELEASES

APRIL 2006

Bedouin Soundclash – Sounding A Mosaic (Stomp Records) – We congratulate Bedouin Soundclash for picking up the ‘New Group Of The Year’ award at the 2006 Junos. The trio of Canadians wears the influence of Bob Marley, Toots and The Maytals, The Skatalites and a host of other reggae and ska heroes proudly on their sleeves. They sound more like a product of Studio One in Kingston, Jamaica than Queen’s University in Kingston, Ontario where the friends first got together. Vancouver-bred guitarist and singer, Jay Malinowski explains, “The three of us came together because we all loved reggae music. Individually, we take different musical avenues and then try to slip everything into the mix. In the end, we’re a bunch of Canadian kids who are making music that is really far from our homes.” Malinowski and his buds have taken some flack for apparently assuming the mantle of Bob Marley, which of course they dismiss outright (you’d have to be three dumb-ass Canucks to think that would fly in the reggae world). But, hey UB40 were never born in the shadow of the Blue Mountains and they’ve earned a pretty good rep doing drop beat for twenty-five years. Music isn’t Jay Malinowski’s only artistic passion by the way. His major at Queen’s was Fine Arts and his paintings can now be seen in a solo exhibition at the Agnes Etherington Arts Centre in Toronto. His work also graces the cover of the band’s album, Sounding A Mosaic.

 

Jeff Martin – Exile And The Kingdom (True North) – For the past sixteen years, as singer and guitarist for The Tea Party, Jeff Martin has been weaving together an intricate tapestry of western and eastern influence. And, as the trio was carving out a rep as one of Canada’s premiere rock bands, his passion for global music and culture would become an increasingly important part of their sound. Now, Jeff has stepped away from that band to release his first solo debut called ‘Exile And The Kingdom’. When he and his former band mates in The Tea Party opened for Jimmy Page and Robert Plant, the notes were already being written for a new chapter in his musical career, one that would bring even more of his edgy introspection and eastern influence to the surface. He found a kindred soul in Paige and Plant drummer, Michael Lee, who shares his views and vision on things like music, religion and politics. With a foundation from Lee and Toronto Tabla Ensemble percussionist, Ritesh Das, Martin has built an album that not only rocks globally … in his words, “It’s packed full of soul.” Michael Lee is even more cavalier in his assessment of the new disc. “This is the new Led Zeppelin. I don’t mind saying it,” he proclaims. While shades of Kashmir echo through the first single, “The World Is Calling”, there’s no mistaking Martin’s deep tenor for Robert Plant’s nut-cracking, high-pitched wails. The tune calls George W to task for mucking up Gaia so royally but there are introspective moments as well like ‘Day Star’ a chimey, lush sitar track written for his son, Django. The album really runs the gamut from Eastern overtones to swampy blues and the production is superb. Who wants to bet that Jeff Martin emerges with a new shot at success after his self-imposed exile from the Tea Party?

 

Gor Gor (Gor Music) - Some biblical scholars propose that Armenia was the site of the Garden of Eden. But, through wars, Soviet occupation and continuous border disputes, this neighbor of Turkey, Azerbaijan and Iran has been less than a paradise in modern times. Today, as the country regains its independence, its arts and culture are starting to filter into the western world. Gor Mkhitarian is an Armenian performer living in LA. He was the lead guitarist for one of the country’s most beloved rock bands called, Lav Eli. Today, he writes in the classic folk style of his homeland but revitalizes the music with thoroughly modern arrangements. He says, “I’m trying to build a bridge between cultures, especially between Armenians living at home and those who are living abroad.” He represents the best of Armenia’s emerging new music scene and the video for one of his hookiest numbers, ‘Wherever’, which is sung in his native language, is included as part of the album package. That clip took top honors at the 2005 Armenian Music Awards. The newer work reflected on his eponymous album continues his introspections on life, love and God but now the songs are in English as Gor reaches out to a larger audience in his adopted home. And, it seems to be working. More and more people are discovering the simple elegance of Gor’s melodies. Some of his North American friends are even making the effort to learn a little Armenian because of his music. As Gor exclaims, “What could be a bigger compliment than that?”

 

Junior Kelly – Tough Life (VP Records) –  Tough Life is an apropos name for reggae ‘sing-jay’, Junior Kelly’s latest. Things haven’t been easy for Kelly and his family, particularly during the time of his older brother’s murder. Jim Kelly was a talented DJ who was gunned down over a labor dispute. Following the trial of the accused, Junior Kelly and his siblings were shipped off from Kingston to live in the countryside in a kind of ‘witness relocation’. It was about that time that Junior Kelly started to write his first lyrics and prevailing themes of love and faith began to emerge in his music. His first big hit called ‘Love So Nice’ used the rhythm of Bob Marley’s ‘Stir it Up’ to share the universal experience of being hurt by love. But, Tough Life isn’t an album about self-pity. It’s an affirmation of how life’s adversities can help make us all stronger in the end. Kelly sampled the voice of one of his mentors, Dennis Brown for the album’s first single,  ‘Hold The Faith’. Here’s a next gen. reggae star with an abiding respect and appreciation for the old school veterans. Love You Like That, is a sweet blend of DJ rapping and the melodious voice of J.C. Lodge. The Riddim Twins lay down the bottom on a track that calls out young Jamaicans, ‘Youths Dem Nah Cool’. When asked, “What does music mean to Junior Kelly?” He replies thoughtfully saying, “Music is a living entity that takes on its own shape and form. It’s the ultimate way of communicating.”

 


MARCH 2006

Alex Cuba Band – Humo De Tabaco (Globe Star) Not many thirty year olds can claim more than twenty-five years experience in the music business. But, the relationship between Alexis Puentes and Cuban music goes back further still. It was the birthright he shared with his twin brother, Adonis … a gift passed on by their father, Valentin who was an accomplished guitarist in Artemisa, Cuba. For his debut disc with the Alex Cuba Band, Alexis chose to record in Havana’s celebrated Egrem Studios, even luring the legendary Chucho Valdez to add his talents to the project. Alexis has also made some very astute decisions in selecting duet partners for two of the disc’s highlights. The first single, Lo Mismo Que Yo, a ballad, makes the seemingly unlikely pairing of Puentes with Ron Sexsmith, who turns out to be such a natural sounding choice; you have to shake your head in disbelief. Another duet, Dramatica Mujer matches Alexis with American pop-light singer, Jason Mraz for a loping salsa complete with contemporary production touches. It all works really well. Despite its title, Humo de Tabaco is a breath of fresh air. Not only does it illustrate Alexis Puentes’ intimate knowledge of the traditions he grew up with, it’s a reflection of his current life in North America … between them, pointing to an exciting future for Cuban music.   

Five Alarm Funk – Five Alarm Funk (Independent) – Big bands are back … not the Tommy Dorsey–style swing orchestras of the 30s and 40s but the horn-driven Afrobeat and funk of Fela Kuti and James Brown. Five Alarm Funk is an Afro- Funk powerhouse from Vancouver who have revitalized the deep grooves and kitschy costumes of the 70’s. After igniting Vancouver stages with their own Afro-Caribbean beats, Five Alarm Funk are ready to make their recording debut. The late, great father of Afrobeat, Fela Kuti once said, “I refuse to live my life in fear.” Scores of admiring musicians during the 60s and 70s watched him fearlessly stand up to an oppressive regime in Nigeria as he was defining some of the most danceable grooves in history with his huge Afrobeat orchestras. Now, this twelve piece Vancouver rhythm machine is paying forward Afrobeat’s magnetic energy. Guitarist, Gabe Boothroyd explains, “There’s a huge Fela Kuti influence in Five Alarm Funk. We take that and combine it with some James Brown and Kool and the Gang and throw in a lot of youthful energy and reckless enthusiasm.” Antibalas also loomed large in this band’s developing sound but not everybody has to have a political beef to fry and that’s where Five Alarm Funk part company with their inspirations. The Afrobeat is ever-present but the lyrics are all about getting the party started and that’s just fine. These upstarts have plenty of time to find a cause.

Tango Paradiso Post Nuevo (Independent) - Though it’s often associated with high society and elegance, the tango’s true origins are more dockside than downtown. During the late eighteen hundreds in Buenos Aires, tango developed in the port’s bordellos, as ‘play acting’ between a prostitute and her pimp. It’s believed that ‘tango’ came from the Latin word, ‘tangere’, which means ‘to touch’, and the closeness of this dance touched more than a few nerves among socialites who saw it performed for the first time. But, the intense beauty of tango’s rhythm and the melody of the bandoneon would soon win hearts across all classes and inspire musicians around the world. Tango Paradiso are an award-nominated quartet from Vancouver who strip away the layers of time to recapture the original drama and danger of tango. And, by unlocking its secrets, they are creating new steps for the dance in the post modern world. Their sophomore release, Post Nuevo points to this future and, with the addition of many fine original compositions they are changing the idiom of this music, forging new possibilities that Astor Piazzolla may never have imagined.

Various – Congotronics 2 Buzz ‘N Rumble From the Urb’n Jungle (Crammed Disc) –  Africa has been called the ‘dark continent’ but as Sir Bob Geldof put it recently, “it’s not a dark continent at all. It’s the luminous continent … drenched in sun, pounded by heat and brilliant in the resourcefulness of its people.” Congotronics 2 is a case in point. Using scrapped amplifiers, speakers, home made instruments and lots of imagination; street bands in the Congolese capital of Kinshasa, are carving out a whole new kind of music. It’s as raw and revolutionary as it is steeped in tradition. Arguably, the most popular of these bands is Konono Number One who mix electrified thumb pianos, buzzing drums and balafons with hub caps and whistles … creating one, big, distorted, swirling groove. The giant megaphones used as speakers by bands like Konono Number One are known as ‘lance-voix’ or ‘voice-throwers’. They’re left-overs from the Belgian colonization of the Congo and were originally used to blast radio broadcasts into the streets. Congotronics 2 gives you not only an audio overview of the scene, it’s loaded with great video footage as well. This is a cutting-edge collection of new ‘punk’ music from Africa’s urban jungle. 


NEW VIEWS ON GLOBAL MUSIC

Taraf de Haidouks – The Continuing Adventures of … (Crammed Disc) - Eastern Europe has had a ‘love - hate’ relationship with the Roma people who settled there a thousand years ago. While their exuberance and defiance of State regulations are celebrated, they have also been persecuted and driven to poverty. Taraf de Haidouks is a group of a dozen musicians from a small village in Romania. Their name literally means ‘ gang of thieves’. In past years they’d happily play weddings or funerals for beer money, but now they’re being championed by celebrities from Yehudi Menuhin to Johnny Depp, who counts them, “among the most extraordinary people I’ve ever met.” Depp regularly flies all twelve members of Taraf de Haidouks out to play posh Hollywood parties … not bad for a band that is hardly known in their native Romania. On the Continuing Adventures Of … Taraf de Haidouks take the stage at London’s stately Union Chapel for a spellbinding performance of their ‘Lautari’ or ‘traditional Gypsy’ music from the Balkans. Once you see this footage, you’ll have no doubts about why these twelve, extraordinary musicians have become critical darlings of the world music press and celebs du jour.

 

FEBRUARY 2006 Reviews

HOT NEW GLOBAL MUSIC RELEASES

Grupo Batuque - O Tempo Do Samba (Far Out) I’ll go out on a limb and predict that concept albums will be the next big thing in global music. Of course, strings are the current big thing in all popular music. From hip happy DJs to country crooners, everyone seems to agree, a few fiddles and cellos can put the ‘class’ in your classic album. O Tempo Do Samba is a classic concept album. The main theme is seasoned throughout the disc in tantalizing tastes of minute long vignettes, each reimagined through creative remixes. The vignettes tie together some exceptional dance tracks like the monster club track, Afro Black, that pay unabashed homage to the samba beat. The pay off comes in the closing crescendo that mashes elative samba vocals with the string driven minor opus, O Tempo. Producer, Roc Hunter clarifies, “Our rule is if it feels right musically, then we proceed and let vibe dictate the direction and pace.”  Grupo Batuque visionary and one third of the legendary group, Azymuth, Ivan Conti adds, “Samba is my measure and my roots.” This is the Dark Side Of The Moon or Tommy of Brazilian music.

 

Souad Massi - Honeysuckle (Wrasse) –  Souad Massi’s music is as alluring as her looks. The Algerian singer is probably the best known in the Arab world. Her approach is melancholic in the tradition of Cape Verdean morna without the chemically depressed tragedy of Portuguese fado. Her compelling voice is delicately wrapped in understated arrangements of tradition and contemporary elements, much like an Arabic equivalent of Bebel Gilberto. Honeysuckle follows on the heels of her critically acclaimed second album, Deb. It features a couple of duets with upcoming global vocalists like Mauritanian, Daby Toure, and guitarist, Pascal Danae whose contribution only dilute the strength of her presentation on this disc. Souad brings a wealth of cultural diversity to Honeysuckle on her own, from flamenco flourishes to the Malian inspired Berber fusion of ‘Inspiration’. The songs could stand without the addition of outside voices but Souad confesses, She feels uncomfortable singing in French or English, though she likes the sound of the languages. In Arabic, however, she can say the same thing ten different ways.” This is a subtly beautiful album that stands up to the rigor of repeated spins.

 

Nazarenes – Songs Of Life (Heartbeat) -  From Marley forward, conscious reggae artists have been posting their Rastafarian epistles to Ethiopia, the homeland of Emperor Hailie Selassi. So, it’s interesting to hear reggae coming back from the holy land in form of two Ethiopian brothers, Medhane and Noah Twolde, the Nazarenes. It’s very much another concept album; the titles ranging from Song Of Judgement Day to Song Of Mary Jane to Song of Memories. It’s roots, pure and simple but with the most soulful vocals to emerge since Marvin Gaye. The ‘Songs Of Life’ are intoxicating, wrapped in authentic arrangements of horns, clavinet and skanky guitar. Surprisingly, reggae is considered underground in Addis Ababa where the brothers were born. Thankfully their straight goods are now readily available in the New World.

 

Departure Lounge Series – World Grooves, World Lounge, World Rhythms and World Love/ Whatever (Petrol Records) – Chris Murphy is another pop music mogul who has moved from the mainstream (15 years steering INXS) to embrace global sounds. Recently, he brought his new endeavors to market under the flag of Petrol Records with the release of ‘Revolucion-The Santiago de Cuba Project’, a compilation celebrating the hip hop infused new sounds flooding the streets of Havana, including hits from Lady Ragga and many others. His latest series of discs, called Departure Lounge, charge the imagination with the potential of their packaging and deliver on several counts. Anew discovery, Take Me Back To Paiui by Juca Chaves has rocketed to the top our charts, but Murphy and Petrol have a lot to learn from established hawkers of global music collections like Six Degrees and Putumayo. There are no liner notes on these albums whatsoever. I love the concept of the ‘Departure Lounge’ but it’s a little like taking the trip blindfolded. It’s been my experience over the years that global music fans are very curious about the world music makers, where they come from and how they fit into the picture. And, since each disc in the series has such a diversity of beats and musical origins, they all have the feel of mixed tapes rather than concept albums. I didn’t detect any specific differences in the grooves between World Lounge and World Rhythms for instance. I question the need to categorize the discs by feel. The discs could easily play on shuffle as a soundtrack for your next global hipster cocktail party. Once again, because of the distinctive identity of each track, I think it’s important to reveal more about the music to the consumer. If the discs were like global chill out CDs (seamless mixes, matching beats etc), I don’t think each artist’s contribution to the albums sound would be as note worthy. Needless to say, the series caught my ear. I’d like to hear more from United Peace Voices, Clube do Balanco, Juca Chaves, Oojami and I’m digging Ive Mendez (especially her bossa take on Chicago’s ‘If You Leave Me Now’). The cheekiness of this series won’t be lost on you. One detractor; Italy’s G. Bondi and ‘If I Told You No’ on World Love/ Whatever is the worst case of Italian male machismo stereo-typing I have ever heard. I’ve barfed better lyrics.

 


NEW VIEWS ON GLOBAL MUSIC

Fanfare Ciocarlia– Gypsy Brass Legends ‘The Story Of The Band (Asphalt Tango) –  World music’s most intriguing expressions occur at the crossroads between cultures. In the case of Fanfare Ciocarlia, it’s a small village straddling the border between Romania and the former Soviet Republic of Moldova. Fanfare’s trumpet player, Costica Trifan confesses, “When I tell people where I’m from, they think I come from the end of the earth. But, here at the end of the earth, it’s the right place to make music.” The gypsy brass bands of the region can trace their roots to the Turkish military brass bands of the early nineteenth century during the Ottoman occupation of the Balkans. Today, the tradition is embraced, and continues to evolve with modern influences from Bollywood to Hollywood. This is the inspiring story of the Uzari gypsies who inhabit the Balkan borderlands. Gypsy Brass Legends is a fascinating new documentary look at how these resilient people have brought joy into their hard, agricultural lifestyle through music. And, not just any music; but high-speed dance tunes pumped out by big brass bands. You get a rare glimpse back through history to explore the origins of these groups and some great video clip extras that capture the gritty essence of their lives. Make sure your DVD plays PAL.

email:calkoat@telus.net
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