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FEATURE
ALBUMS
PAST
MONTHS
All
reviews by Cal Koat
Check out other Album Reviews

HOT NEW GLOBAL MUSIC
RELEASES
APRIL
2006
Bedouin
Soundclash – Sounding A
Mosaic (Stomp Records) –
We congratulate Bedouin
Soundclash for picking up
the ‘New Group Of The
Year’ award at the 2006
Junos. The trio of
Canadians wears the
influence of Bob Marley,
Toots and The Maytals, The
Skatalites and a host of
other reggae and ska
heroes proudly on their
sleeves. They sound more
like a product of Studio
One in Kingston, Jamaica
than Queen’s University in
Kingston, Ontario where
the friends first got
together. Vancouver-bred
guitarist and singer, Jay
Malinowski explains, “The
three of us came together
because we all loved
reggae music.
Individually, we take
different musical avenues
and then try to slip
everything into the mix.
In the end, we’re a bunch
of Canadian kids who are
making music that is
really far from our
homes.” Malinowski and his
buds have taken some flack
for apparently assuming
the mantle of Bob Marley,
which of course they
dismiss outright (you’d
have to be three dumb-ass
Canucks to think that
would fly in the reggae
world). But, hey UB40 were
never born in the shadow
of the Blue Mountains and
they’ve earned a pretty
good rep doing drop beat
for twenty-five years.
Music isn’t Jay
Malinowski’s only artistic
passion by the way. His
major at Queen’s was Fine
Arts and his paintings can
now be seen in a solo
exhibition at the Agnes
Etherington Arts Centre in
Toronto. His work also
graces the cover of the
band’s album, Sounding A
Mosaic.
Jeff
Martin – Exile And The
Kingdom (True North)
– For
the past sixteen years, as
singer and guitarist for
The Tea Party, Jeff Martin
has been weaving together
an intricate tapestry of
western and eastern
influence. And, as the
trio was carving out a rep
as one of Canada’s
premiere rock bands, his
passion for global music
and culture would become
an increasingly important
part of their sound. Now,
Jeff has stepped away from
that band to release his
first solo debut called
‘Exile And The Kingdom’.
When he and
his former band mates in
The Tea Party opened for
Jimmy Page and Robert
Plant, the notes were
already being written for
a new chapter in his
musical career, one that
would bring even more of
his edgy introspection and
eastern influence to the
surface. He found a
kindred soul in Paige and
Plant drummer, Michael
Lee, who shares his views
and vision on things like
music, religion and
politics. With a
foundation from Lee and
Toronto Tabla Ensemble
percussionist, Ritesh Das,
Martin has built an album
that not only rocks
globally … in his words,
“It’s packed full of
soul.” Michael Lee is even
more cavalier in his
assessment of the new
disc. “This is the new Led
Zeppelin. I don’t mind
saying it,” he proclaims.
While shades of Kashmir
echo through the first
single, “The World Is
Calling”, there’s no
mistaking Martin’s deep
tenor for Robert Plant’s
nut-cracking, high-pitched
wails. The tune calls
George W to task for
mucking up Gaia so royally
but there are
introspective moments as
well like ‘Day Star’ a
chimey, lush sitar track
written for his son,
Django. The album really
runs the gamut from
Eastern overtones to
swampy blues and the
production is superb. Who
wants to bet that Jeff
Martin emerges with a new
shot at success after his
self-imposed exile from
the Tea Party?
Gor
–
Gor (Gor Music)
-
Some biblical scholars
propose that Armenia was
the site of the Garden of
Eden. But, through wars,
Soviet occupation and
continuous border
disputes, this neighbor of
Turkey, Azerbaijan and
Iran has been less than a
paradise in modern times.
Today, as the country
regains its independence,
its arts and culture are
starting to filter into
the western world. Gor
Mkhitarian is an Armenian
performer living in LA. He
was the lead guitarist for
one of the country’s most
beloved rock bands called,
Lav Eli. Today, he writes
in the classic folk style
of his homeland but
revitalizes the music with
thoroughly modern
arrangements. He says,
“I’m trying to build a
bridge between cultures,
especially between
Armenians living at home
and those who are living
abroad.” He represents the
best of Armenia’s emerging
new music scene and the
video for one of his
hookiest numbers,
‘Wherever’, which is sung
in his native language, is
included as part of the
album package. That clip
took top honors at the
2005 Armenian Music
Awards. The newer work
reflected on his eponymous
album continues his
introspections on life,
love and God but now the
songs are in English as
Gor reaches out to a
larger audience in his
adopted home. And, it
seems to be working. More
and more people are
discovering the simple
elegance of Gor’s
melodies. Some of his
North American friends are
even making the effort to
learn a little Armenian
because of his music. As
Gor exclaims, “What could
be a bigger compliment
than that?”
Junior
Kelly – Tough Life (VP
Records)
– Tough Life is an
apropos name for reggae
‘sing-jay’, Junior Kelly’s
latest. Things haven’t
been easy for Kelly and
his family, particularly
during the time of his
older brother’s murder.
Jim Kelly was a talented
DJ who was gunned down
over a labor dispute.
Following the trial of the
accused, Junior Kelly and
his siblings were shipped
off from Kingston to live
in the countryside in a
kind of ‘witness
relocation’. It was about
that time that Junior
Kelly started to write his
first lyrics and
prevailing themes of love
and faith began to emerge
in his music. His first
big hit called ‘Love So
Nice’ used the rhythm of
Bob Marley’s ‘Stir it Up’
to share the universal
experience of being hurt
by love. But, Tough Life
isn’t an album about
self-pity. It’s an
affirmation of how life’s
adversities can help make
us all stronger in the
end. Kelly sampled the
voice of one of his
mentors, Dennis Brown for
the album’s first single,
‘Hold The Faith’. Here’s a
next gen. reggae star with
an abiding respect and
appreciation for the old
school veterans. Love You
Like That, is a sweet
blend of DJ rapping and
the melodious voice of
J.C. Lodge. The Riddim
Twins lay down the bottom
on a track that calls out
young Jamaicans, ‘Youths
Dem Nah Cool’. When asked,
“What does music mean to
Junior Kelly?” He replies
thoughtfully saying,
“Music is a living entity
that takes on its own
shape and form. It’s the
ultimate way of
communicating.”
MARCH 2006
Alex
Cuba Band – Humo De Tabaco
(Globe Star)
–
Not many thirty year olds
can claim more than
twenty-five years experience
in the music business. But,
the relationship between
Alexis Puentes and Cuban
music goes back further
still. It was the birthright
he shared with his twin
brother, Adonis … a gift
passed on by their father,
Valentin who was an
accomplished guitarist in
Artemisa, Cuba. For his
debut disc with the Alex
Cuba Band, Alexis chose to
record in Havana’s
celebrated Egrem Studios,
even luring the legendary
Chucho Valdez to add his
talents to the project.
Alexis has also made some
very astute decisions in
selecting duet partners for
two of the disc’s
highlights. The first
single, Lo Mismo Que Yo, a
ballad, makes the seemingly
unlikely pairing of Puentes
with Ron Sexsmith, who turns
out to be such a natural
sounding choice; you have to
shake your head in
disbelief. Another duet,
Dramatica Mujer matches
Alexis with American
pop-light singer, Jason Mraz
for a loping salsa complete
with contemporary production
touches. It all works really
well. Despite its title,
Humo de Tabaco is a breath
of fresh air. Not only does
it illustrate Alexis Puentes’
intimate knowledge of the
traditions he grew up with,
it’s a reflection of his
current life in North
America … between them,
pointing to an exciting
future for Cuban music.
Five
Alarm Funk – Five Alarm Funk
(Independent)
– Big bands are back … not
the Tommy Dorsey–style swing
orchestras of the 30s and
40s but the horn-driven
Afrobeat and funk of Fela
Kuti and James Brown. Five
Alarm Funk is an Afro- Funk
powerhouse from Vancouver
who have revitalized the
deep grooves and kitschy
costumes of the 70’s.
After igniting Vancouver
stages with their own
Afro-Caribbean beats, Five
Alarm Funk are ready to make
their recording debut. The
late, great father of
Afrobeat, Fela Kuti once
said, “I refuse to live my
life in fear.” Scores of
admiring musicians during
the 60s and 70s watched him
fearlessly stand up to an
oppressive regime in Nigeria
as he was defining some of
the most danceable grooves
in history with his huge
Afrobeat orchestras. Now,
this twelve piece Vancouver
rhythm machine is paying
forward Afrobeat’s magnetic
energy. Guitarist, Gabe
Boothroyd explains, “There’s
a huge Fela Kuti influence
in Five Alarm Funk. We take
that and combine it with
some James Brown and Kool
and the Gang and throw in a
lot of youthful energy and
reckless enthusiasm.”
Antibalas also loomed large
in this band’s developing
sound but not everybody has
to have a political beef to
fry and that’s where Five
Alarm Funk part company with
their inspirations. The
Afrobeat is ever-present but
the lyrics are all about
getting the party started
and that’s just fine. These
upstarts have plenty of time
to find a cause.
Tango
Paradiso
–
Post Nuevo (Independent)
-
Though
it’s often associated with
high society and elegance,
the tango’s true origins are
more dockside than downtown.
During the late eighteen
hundreds in Buenos Aires,
tango developed in the
port’s bordellos, as ‘play
acting’ between a prostitute
and her pimp. It’s believed
that ‘tango’ came from the
Latin word, ‘tangere’, which
means ‘to touch’, and the
closeness of this dance
touched more than a few
nerves among socialites who
saw it performed for the
first time. But, the intense
beauty of tango’s rhythm and
the melody of the bandoneon
would soon win hearts across
all classes and inspire
musicians around the world.
Tango Paradiso are an
award-nominated quartet from
Vancouver who strip away the
layers of time to recapture
the original drama and
danger of tango. And, by
unlocking its secrets, they
are creating new steps for
the dance in the post modern
world. Their sophomore
release, Post Nuevo points
to this future and, with the
addition of many fine
original compositions they
are changing the idiom of
this music, forging new
possibilities that Astor
Piazzolla may never have
imagined.
Various
– Congotronics 2 Buzz ‘N
Rumble From the Urb’n Jungle
(Crammed Disc)
– Africa has been called
the ‘dark continent’ but as
Sir Bob Geldof put it
recently, “it’s not a dark
continent at all. It’s the
luminous continent …
drenched in sun, pounded by
heat and brilliant in the
resourcefulness of its
people.” Congotronics 2 is a
case in point. Using
scrapped amplifiers,
speakers, home made
instruments and lots of
imagination; street bands in
the Congolese capital of
Kinshasa, are carving out a
whole new kind of music.
It’s as raw and
revolutionary as it is
steeped in tradition.
Arguably, the most popular
of these bands is Konono
Number One who mix
electrified thumb pianos,
buzzing drums and balafons
with hub caps and whistles …
creating one, big,
distorted, swirling groove.
The giant megaphones used as
speakers by bands like
Konono Number One are known
as ‘lance-voix’ or
‘voice-throwers’. They’re
left-overs from the Belgian
colonization of the Congo
and were originally used to
blast radio broadcasts into
the streets. Congotronics 2
gives you not only an audio
overview of the scene, it’s
loaded with great video
footage as well. This is a
cutting-edge collection of
new ‘punk’ music from
Africa’s urban jungle.
NEW VIEWS ON GLOBAL MUSIC
Taraf
de Haidouks – The Continuing
Adventures of … (Crammed
Disc)
-
Eastern Europe has had a
‘love - hate’ relationship
with the Roma people who
settled there a thousand
years ago. While their
exuberance and defiance of
State regulations are
celebrated, they have also
been persecuted and driven
to poverty. Taraf de
Haidouks is a group of a
dozen musicians from a small
village in Romania. Their
name literally means ‘ gang
of thieves’. In past years
they’d happily play weddings
or funerals for beer money,
but now they’re being
championed by celebrities
from Yehudi Menuhin to
Johnny Depp, who counts
them, “among the most
extraordinary people I’ve
ever met.” Depp regularly
flies all twelve members of
Taraf de Haidouks out to
play posh Hollywood parties
… not bad for a band that is
hardly known in their native
Romania. On the Continuing
Adventures Of … Taraf de
Haidouks take the stage at
London’s stately Union
Chapel for a spellbinding
performance of their
‘Lautari’ or ‘traditional
Gypsy’ music from the
Balkans. Once you see this
footage, you’ll have no
doubts about why these
twelve, extraordinary
musicians have become
critical darlings of the
world music press and celebs
du jour.
FEBRUARY
2006 Reviews
HOT NEW GLOBAL MUSIC
RELEASES
Grupo
Batuque - O Tempo Do Samba
(Far Out)
–
I’ll go out on a limb and
predict that concept
albums will be the next
big thing in global music.
Of course, strings are the
current big thing in all
popular music. From hip
happy DJs to country
crooners, everyone seems
to agree, a few fiddles
and cellos can put the
‘class’ in your classic
album. O Tempo Do Samba is
a classic concept album.
The main theme is seasoned
throughout the disc in
tantalizing tastes of
minute long vignettes,
each reimagined through
creative remixes. The
vignettes tie together
some exceptional dance
tracks like the monster
club track, Afro Black,
that pay unabashed homage
to the samba beat. The pay
off comes in the closing
crescendo that mashes
elative samba vocals with
the string driven minor
opus, O Tempo. Producer,
Roc Hunter clarifies, “Our
rule is if it feels right
musically, then we proceed
and let vibe dictate the
direction and pace.”
Grupo Batuque visionary
and one third of the
legendary group, Azymuth,
Ivan Conti adds, “Samba is
my measure and my roots.”
This is the Dark Side Of
The Moon or Tommy of
Brazilian music.
Souad
Massi - Honeysuckle
(Wrasse)
– Souad Massi’s music is
as alluring as her looks.
The Algerian singer is
probably the best known in
the Arab world. Her
approach is melancholic in
the tradition of Cape
Verdean morna without the
chemically depressed
tragedy of Portuguese fado.
Her compelling voice is
delicately wrapped in
understated arrangements
of tradition and
contemporary elements,
much like an Arabic
equivalent of Bebel
Gilberto. Honeysuckle
follows on the heels of
her critically acclaimed
second album, Deb. It
features a couple of duets
with upcoming global
vocalists like
Mauritanian, Daby Toure,
and guitarist, Pascal
Danae whose contribution
only dilute the strength
of her presentation on
this disc. Souad brings a
wealth of cultural
diversity to Honeysuckle
on her own, from flamenco
flourishes to the Malian
inspired Berber fusion of
‘Inspiration’. The songs
could stand without the
addition of outside voices
but Souad confesses, She
feels uncomfortable
singing in French or
English, though she likes
the sound of the
languages. In Arabic,
however, she can say the
same thing ten different
ways.” This is a subtly
beautiful album that
stands up to the rigor of
repeated spins.
Nazarenes
– Songs Of Life
(Heartbeat)
-
From Marley forward, conscious reggae artists have been
posting their Rastafarian
epistles to Ethiopia, the
homeland of Emperor Hailie
Selassi. So, it’s
interesting to hear reggae
coming back from the holy
land in form of two
Ethiopian brothers,
Medhane and Noah Twolde,
the Nazarenes. It’s very
much another concept
album; the titles ranging
from Song Of Judgement Day
to Song Of Mary Jane to
Song of Memories. It’s
roots, pure and simple but
with the most soulful
vocals to emerge since
Marvin Gaye.
The ‘Songs Of Life’ are intoxicating, wrapped in authentic arrangements
of horns, clavinet and
skanky guitar.
Surprisingly, reggae is
considered underground in
Addis Ababa where the
brothers were born.
Thankfully their straight
goods are now readily
available in the New
World.
Departure
Lounge Series – World
Grooves, World Lounge,
World Rhythms and World
Love/ Whatever (Petrol
Records)
– Chris Murphy is another
pop music
mogul who has moved from
the mainstream (15 years
steering INXS) to embrace
global sounds. Recently,
he brought his new
endeavors to market under
the flag of Petrol Records
with the release of
‘Revolucion-The Santiago
de Cuba Project’, a
compilation celebrating
the hip hop infused new
sounds flooding the
streets of Havana,
including hits from Lady
Ragga and many others. His
latest series of discs,
called Departure Lounge,
charge the imagination
with the potential of
their packaging and
deliver on several counts.
Anew discovery, Take Me
Back To Paiui by Juca
Chaves has rocketed to the
top our charts, but Murphy
and Petrol have a lot to
learn from established
hawkers of global music
collections like Six
Degrees and Putumayo.
There are no liner notes
on these albums
whatsoever. I love the
concept of the ‘Departure
Lounge’ but it’s a little
like taking the trip
blindfolded. It’s been my
experience over the years
that global music fans are
very curious about the
world music makers, where
they come from and how
they fit into the picture.
And, since each disc in
the series has such a
diversity of beats and
musical origins, they all
have the feel of mixed
tapes rather than concept
albums. I didn’t detect
any specific differences
in the grooves between
World Lounge and World
Rhythms for instance. I
question the need to
categorize the discs by
feel. The discs could
easily play on shuffle as
a soundtrack for your next
global hipster cocktail
party. Once again, because
of the distinctive
identity of each track, I
think it’s important to
reveal more about the
music to the consumer. If
the discs were like global
chill out CDs (seamless
mixes, matching beats
etc), I don’t think each
artist’s contribution to
the albums sound would be
as note worthy. Needless
to say, the series caught
my ear. I’d like to hear
more from United Peace
Voices, Clube do Balanco,
Juca Chaves, Oojami and
I’m digging Ive Mendez
(especially her bossa take
on Chicago’s ‘If You Leave
Me Now’). The cheekiness
of this series won’t be
lost on you. One
detractor; Italy’s G.
Bondi and ‘If I Told You
No’ on World Love/
Whatever is the worst case
of Italian male machismo
stereo-typing I have ever
heard. I’ve barfed better
lyrics.
NEW VIEWS ON GLOBAL MUSIC
Fanfare
Ciocarlia– Gypsy Brass
Legends ‘The Story Of The
Band (Asphalt Tango)
–
World music’s most
intriguing expressions
occur at the crossroads
between cultures. In the
case of Fanfare Ciocarlia,
it’s a small village
straddling the border
between Romania and the
former Soviet Republic of
Moldova. Fanfare’s trumpet
player, Costica Trifan
confesses, “When I tell
people where I’m from,
they think I come from the
end of the earth. But,
here at the end of the
earth, it’s the right
place to make music.” The
gypsy brass bands of the
region can trace their
roots to the Turkish
military brass bands of
the early nineteenth
century during the Ottoman
occupation of the Balkans.
Today, the tradition is
embraced, and continues to
evolve with modern
influences from Bollywood
to Hollywood.
This is the inspiring
story of the Uzari gypsies
who inhabit the Balkan
borderlands. Gypsy Brass
Legends is a fascinating
new documentary look at
how these resilient people
have brought joy into
their hard, agricultural
lifestyle through music.
And, not just any music;
but high-speed dance tunes
pumped out by big brass
bands. You get a rare
glimpse back through
history to explore the
origins of these groups
and some great video clip
extras that capture the
gritty essence of their
lives. Make sure your DVD
plays PAL.
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