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FEATURE
ALBUMS
PAST
MONTHS
All
reviews by Cal Koat
Check out other 2004 Album Reviews
 
February 2005 Reviews
Hexstatic - Master
View (Ninja) -
This DVD/ CD tour de
force takes
its concept from those
wonderful old viewmasters
while it takes the concept
of music videos into the
realm of 3D. British
electronica artists, Stuart
Warren Hill and Robin
Brunson, better known as
Hexstatic, have been
experimenting with audio
–visual projects for almost
ten years. After returning
from a holiday in Brazil’s
Salvador de Bahia, they
painstakingly cut images out
of the film footage they
shot on location, to make a
montage called Salvador that
can be viewed in
3D, complete with the
authentic sounds of the
berimbau and samba drums.
The package even provides
you a pair of those blue and
red cardboard glasses which
work to varying degree
depending on the resolution
of your TV. While in Brazil,
Hill and Brunson
dropped by a bird sanctuary,
which inspired one of Master
View’s most compelling
tracks.Featuring the
soaring vocals of Japanese
singer Miki Tanabe and one
remarkable lip-synching or
should I say, beak synching
parrot, Perfect Bird is
weird and wonderful as is
most of the rest of the
11 beat-driven clips on
Master View.
Various
- Trinidad & Tobago Carnival
2K4 Exposed (Advance
Dynamics) -
Carnival time in Trinidad
and Tobago is a sight to
behold. Of course, if you’re
not lucky enough to attend
this outrageous pre-lent
party in person, you’ll just
have to take that on good
faith. But hang on … now
thanks to a new
award-winning DVD
collection, everyone can
experience a little of the
colour, music and energy of
one of the greatest shows on
earth.
There are Carnival
celebrations around the
world but Trinidad and
Tobago claim bragging rights
to one of the wildest. Each
January for two days before
Ash Wednesday pandemonium
appears to reign in the
streets of Port of Prince.
But, in fact the revelry is
carefully planned and
choreographed weeks in
advance to make the
spectacle even more dazzling
and outrageous.Carnival T’n
T-style is about a culture
celebrating itself in unity
while the raucous parties or
fetes pay head to a simple
human need to play and make
believe. Trinidad & Tobago
Carnival 2K4 Exposed
captures all the colour and
pageantry with quality
production values and
frenetic soca soundtracks.
Despite the pressing throng
of humanity, Trinidad and
Tobago Carnival is said to
be an individual experience.
For those willing to take
the plunge, it’s an
opportunity to learn about
joy and the art of living.
The
Planet Smashers - 10 (Stomp
Records) -
The Planet Smashers have a
taste for both simple ska
and elaborate libations.They
celebrate their 10th
anniversary together as
Montreal’s Kings of Ska,
with a commemorative DVD.
And, one of their favorite
ways to celebrate is with a
visit to an authentic Tiki
Bar like Jardin’s, a
Montreal landmark. Maybe
it’s those paper parasols or
maybe it’s the exotic drink
names but something keeps
these boys ordering more
rounds. The boys debate the
finer point s
of mixology over a few
rounds in one of the
interview segments as part
of the '10'
DVD package. What
will attract most viewers
however are the 12
light-hearted and clever
video clips. They've
recorded some inspired and
satirical tunes over the
decade including Surfin' In
Tofino and I Wish I Were
American. Oh, and there's a
complete animated feature
called Catman, which may
not have Halle
Berry's delectable body in
dom gear like Hollywood's
overblown Catwoman
fiasco, but the story
doesn't suck either.
Cesaria
Evora - Live
D'Amor (BMG) -
There aren’t many singers
past sixty years of age who
still find their careers
spiraling upwards. But then,
there are few singers like
Cape Verde’s gift to the
world, the incomparable
Cesaria Evora who seems to
have boundless energy. Her
latest studio CD, Voz D’Amor
was recorded in Paris during
breaks in her busy touring
schedule. Cize as she’s
known to her friends, takes
the pace in stride
remarking, “Since there
always seems to be so little
time, over the years I
have
found this the best way to
do a recording.”
In Paris she’s also found a
large and loyal fan base and
as a treat to them, she
performed a special concert
of new material at the
city’s oldest and largest
movie theatre.
Live D'Amor captures this
performance at the Le
Grand Rex. Bonus material
includes a backstage chat, a
look at the Voz d'Amor
recording sessions and a
charming video clip called
Mar de canal, dedicated to
the World Food Program,
a charitable organization
working in schools to
address child hunger. Cesaria
Evora has become a darling
of the world stage but she
still calls Sao Vicente
home, the capital of the
remote island nation of Cape
Verde. The acclaimed diva
performs barefoot as a
symbol of solidarity with
the ordinary folk of Cape
Verde, whose hard work is
celebrated on this new DVD
release.
Jim
Moray - Sweet
England (Giraffe
Records)
- Sweet
England is the sweet taste
of discovery. You need the
patience of a prospector
to sift through the music
of world. But, when the
glint of something golden
catches your ear it's more
than worthwhile, it's
revolutionary.Jim Moray is
a 23 year old Brit who's
making music for the best
reason ... for himself.
And, it's filling void
that until yet has not
been filled. As he puts
it, "no one's doing
visceral boy's folk music
so it's my prerogative to
make it (read his
enlightening interview
with Celt In A Twist host
Patricia Fraser in this
newsletter). Jim's taken
classic English folk
melodies (you'll recognize
many once you hear them)
and, with the help of
Simon Emmerson and Mass
from the Afro Celts has
exploded them with 'Floydian'
progressive artistry.
Brian Wilson took decades
of obsessing to complete
the opus, Smile. In Sweet
England, Jim Moray reveals
an equal production marvel
recorded mostly by himself
in his home recording
studio! The album is like
the ring of bell on a
foggy evening ... a
portent of good or bad.
The thrill is in the the
chill you'll feel up your
spine upon hearing it.
Sweet England is a
bittersweet flavor that
always draws you back for
just one more taste.
Solas - Waiting
For An Echo (Shanachie)
- Solas
is making traditional
Irish music for those who
may never have developed a
taste for the stuff in the
first place. Really,
anyone can appreciate
the caliber of the
quintet's musicianship or
the exquisite
musical conversation
between
these long-associated
performers without being a
fan of gnarly old
Celtic.True to their
Gaelic name, Solas are
shining a contemporary
'light' on Irish folk
music without going so far
as to turn it into
something it's not.However,
each successive Solas
album does reflect the
band's explorative nature,
bringing a new emotion to
the fore or fusing a new
sound to their assembled
voice. There are several
good examples on Waiting
For An Echo. Seamus Egan
drives the band with his
instrumental versatility
and virtuosity, creating
gorgeous guitar textures
with Eamon McElholm on
tunes like The Coconut Dog
and the Hanover Reel.
Deirdre Scanlon sings
sweetly on The Ploughman
(undoubtedly for many the
first pick from the
album). It's poppy
familiarity is unhinged
just enough with an
Eastern European
counterpoint of fiddle and
accordion. If Solas are
sounding the depths,
seeking more converts to
their song craft, they
should be pleased with the
echo that returns.
The
Duhks - The Duhks (Sugar
Hill) -
Why did the duhk cross the
border? So the 'Bird' of
the Banjo, Bela Fleck
could mix their new album
of course. Actually I've
heard no word that the
Winnipeg band is planning
to defect south but they
are definitely fixing
their sites on an expanded
market. After many years
and albums as Scruj McDuhk
and later in their new
incarnation as just The
Duhks featuring former
-Victoria fiddle whiz
Tania Elizabeth and
new singer Jessica Harvey,
the group appears poised
to reintroduce themselves
in a bigger way. Bela
Fleck is a great choice
for producer of the new
self-titled disc. Head
Duhk, Leonard Podolak is a
highly imaginative banjo
picker himself and
probably had Bela pegged
for the job in his dreams
for quite a while now.
While the album is to be
filed under 'Folk' their
eclectic sound entitles
The Duhks to come up
with their own, wild terms
of classification from
"progressive soul-grass"
to "kick-ass rock/folk
fusion" and ya, there's
plenty of Celtic in the
mix along with Quebecois
and Appalachian
influences. This new album
may just be their ticket
to leaving the nest and
taking on the world. Fly
away little Duhks and
Godspeed.
December Reviews
Worldbeat
Chart Toppers
Charanga
Cakewalk - Loteria de la
Cumbia Lounge (Triloka
Records) - The
Cakewalk originated
among southern
plantation slave workers
in the eighteen
hundreds. The dance
poked fun at the formal
mannerisms of the elite
in the ‘master’s
house’. Charanga
Cakewalk updates the
concept with a twist of
Latin Lounge atmospheres
both real and virtual.
Charanga Cakewalk is the
brainchild of studio
whiz and sideman
extraordinaire, Michael
Ramos. He’s performed
alongside John
Mellencamp, Paul Simon,
The Bo Deans and The
Rembrandts but this
project reflects his
own, personal vision.
Michael describes the
new album, Loteria de la
Cumbia Lounge as “a
pan-Latin American
martini made with equal
parts traditional
instruments and deep,
urban grooves.”
It's a brilliant piece
of global
music sophistication
that still pokes a
little fun at elitism.
Various - Is
It Rolling, Bob? Vol.1 (Ras
Records)
- In
1965 Bob Dylan wrote an
ode to a fallen
debutante. His stinging
chorus asked “How does
it feel to be on your
own like a rolling
stone”. Dylan preferred
to save his praise for
those who would get up
and stand up for their
rights. Sound like
another Bob you know?
Dylan and Marley stood
for many of the same
principles which may
explain why many of
Jamaica’s
biggest stars jumped at
the chance to be a part
of an exciting new album
project called, “Is It
Rolling Bob”, a reggae
tribute to the music of
Bob Dylan. Amazingly,
many of Bob’s songs
translate easily into
the reggae vibe.
Produced by the infamous
Dr. Dread, Is It Rolling
Bob? features the
talents of Toots Hibert,
Beres Hammond, Gregory
Isaacs, JC Lodge,
Michael Rose, The Mighty
Diamonds with one of my
favorites, Lay, Lady,
Lay, and dancehall
superstar, Sizzla with a
tongue in cheek take on
Dylan's stream of
consciousness classic.
On
May 8th of
'65, Dylan
released a promotional
film for his new single,
Subterranean Homesick
Blues, which
pictured him holding up
placards with key words
from the lyric. It has
the distinction of being
THE very first music
video. Keep watching
world.beats for Sizzla's
equally low-budget
rendering.
Bossacucanova - Uma
Batida Diferente (Six
Degrees) - They
say to be truly creative
you have to think
outside of the box. So
it stands to reason that
those born without boxes
never have to waste time
learning this. Maybe
that's why
Bossacucanova's learning
curve has been so
steep. The trio
of DJ, bass and
keyboards grew up in the
musical scene around
Ipanema which is too
free and immense to be
contained. Their
first Six Degrees
self titled album
reflected three creative
souls mixing the
Brazilian sounds they
heard all around
them with the global
influences they were
increasingly being
exposed too. The formula
received a further coat
of polish and authentic
Brazilian soul on their
second album recorded
with the legendary
guitarist/composer, Roberto
Menescal. Uma Batida
Diferente, their third
effort expands on the
Menescal experiment,
featuring the trio in
collaboration with a
host of great writers
and performers like
Celso Fonseca, Marcos
Valle, Zuco 103 and once
again, Roberto Menescal.
Every track benefits
from an
irresistible union of
experienced composition
and creative mixology.
Various
- World 2004
(Wrasse Records) - Global
music has expanded
tenfold in the past
decade and it's a big
world indeed. It's
encouraging to know that
there are so many
world music makers on
our planet that
sometimes opening your
ears isn't enough, you
have to check in with
another's perspective.
Thanks to Wrasse Records
we in North America
can have an
annual check up
with broadcaster,
Charlie Gillett at the
BBC and hear what he is
being exposed to these
days. For 2004,
Charlie's assembled an
amazingly unpredictable
two CD set. He's
hand-picked choice cuts
from the four corners,
much of which has never
reached the shores of
the new world. The liner
notes are a little more
anecdotal than factoid
which is disappointing
for those eager to read
about the
intriguing artists
they're most probably
hearing from for the
first time. And, every
one of the 34 tracks has
something going on
you'll want to know more
about.
Pauline
Scanlon - Red Colour
Sun (Compass Records)
- Oh,
those Lunasa boys know
how to cherry-pick the
best buds from the
Black Rose. The band's
bassist, Trevor
Hutchinson introduced
us to the sublime
sweetness of Grada,
now Lunasa guitarist,
Donagh Hennessy opens
our ears to another
Irish vocal marvel,
Pauline Scanlon. To be
fair, accordionist,
Sharon Shannon has
tapped into Pauline's
vocal talents for a
couple of years now.
Stage centre, within
the context of her
album debut Red Colour
Sun, Pauline's
voice radiates warmth
and emotional
intensity without histrionics.Carving
out a middle ground
somewhere between
Sinead O'Connor's
crackling yodels and
Emer Kenny's
'wafer-thin' whispers,
Pauline offers an
unaffected Irish voice
which is supremely
suited to showcasing
the strength of the
traditional material
she's chosen. Apart
from some outstanding
Irish ballads, Pauline
treats us to the song
craft of Willie
Nelson, Peggy Seeger,
even Don McLean (Who
knew he wrote anything
else besides American
Pie?). Production-wise,
Hennessy and Co. have
taken care to frame
neatly without boxing
in Pauline's charm.
The Town Pants -
Weight Of Words
(Savage Pants)- I
don't want to spread
any nasty rumours but,
are The Town Pants
getting a little snug
around the waist? It
appears Vancouver's
lean, mean Celtic
machine has put on a
little girth with the
Weight Of Words. Don't
get me wrong, a few
extra pounds of wit,
wisdom and
instrumental
ornamentation looks
good on these girls
and boys.Point of
fact, I'd have to say
they've never been in
finer
form. Brothers Duane
and Dave Keogh, Aaron
Chapman and Virginia
Schwartz continue to
build on a reputation
of churning out
clever, hook-laden,
pub-ready
sing-a-longs. Following
on the heels of the
Hugh McMillan (Spirit
Of The West) produced
Piston Baroque, Weight
Of Words sees the
Pants taking the
knowledge they learned
from that effort back
into the studio for
their first shot at
self-production. Their
creative instincts
serve them well on the
new disc. There's even
a killer set of jigs
and reels by Virginia
titled, 'Diggin' The
Grave' segueing neatly
into our favorite,
'Mr. Valentine's
Dead'. Most
uncharacteristic and
one of the album's
biggest surprises is
the 6 minute, album
closing opus called
'Ships Made Of Wood'
which builds into a
mariachi horn and
drunken chorus
free-for-all with bass
and drums to pad out
the bottom no less.
Weighty indeed but it
just means there's
more of them to love.
Blame it on the
Guinness.
Dalla- Hollan Mauy!
More Salt! (Dalla Records) - Nothing
makes our spirit
soar like stumbling
on Celtic music from
one of the 7 nations
which, until now has
remained quietly
aloof from our
grasp. My thanks to
Nancy Carlin, an
intrepid American
promoter of global
music who hooked my
up for my exposure
to the music of
Dalla, a
talented group from
Cornwall. For the
geographically-challenged
(like myself), Dalla
offers this global
positioning
statement at their
website,
www.dalla.co.uk
"Cornwall is a small
Celtic land (roughly
the size of
Luxembourg or
Brunei) jutting out
into the Atlantic
ocean halfway
between Ireland and
Brittany. It is a
small land with a
giant history. A
history with its
roots firmly in
Celtic culture, but
also an extremely
cosmopolitan history
buzzing with a host
of other influences,
due to ancient
maritime links with,
and waves of
emigration to and
from, all parts of
the world." Those
influences weave
throughout the
fabric of this
band's current
release, Hollan Mauy!
More Salt! Fiddle,
guitar, bouzouki and
accordion flavors
immediately centre
the material within
the borders of the
Celtic world, but
other strong voices,
like clarinet and
darbuka drum cast a
net to the east
adding textures of
Byzantine and
Klezmer. Add the
Carnival bluster of
trumpets and
trombones and a
familiar Quebecois
feel (a la La
Bottine Souriante)
becomes apparent.
On the album, he
group's roster seems
to have swelled from
the trio indicated
on their website
including Neil Davey
(fiddle, bouzouki,
vocals), Hilary
Coleman (clarinet,
vocals), Simon
Lockley (guitars,
vocals), Bec
Applebee (darbuka,
vocals) and Pete
Kubrick-Townsend
(double bass). More
Salt! and pass the
Cornish music,
please!
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