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FEATURE
ALBUMS
PAST
MONTHS
All
reviews by Cal Koat
Check out other 2004 Album Reviews

Hexstatic - Master
View (Ninja) -
This DVD/ CD tour de
force takes
its concept from those wonderful
old viewmasters while it takes
the concept of music videos into
the realm of 3D. British
electronica artists, Stuart
Warren Hill and Robin Brunson,
better known as Hexstatic, have
been experimenting with audio
–visual projects for almost ten
years. After returning from a
holiday in Brazil’s Salvador de
Bahia, they painstakingly cut
images out of the film footage
they shot on location, to make a
montage called Salvador that can
be viewed in 3D, complete with
the authentic sounds of the
berimbau and samba drums. The
package even provides you a pair
of those blue and red cardboard
glasses which work to varying
degree depending on the
resolution of your TV. While in
Brazil, Hill and Brunson
dropped by a bird sanctuary,
which inspired one of Master
View’s most compelling tracks.Featuring
the soaring vocals of Japanese
singer Miki Tanabe and one
remarkable lip-synching or
should I say, beak synching
parrot, Perfect Bird is weird
and wonderful as is most of the
rest of the 11 beat-driven clips
on Master View.
Various
- Trinidad & Tobago Carnival 2K4
Exposed (Advance Dynamics)
-
Carnival time in Trinidad and
Tobago is a sight to behold. Of
course, if you’re not lucky
enough to attend this outrageous
pre-lent party in person, you’ll
just have to take that on good
faith. But hang on … now thanks
to a new award-winning DVD
collection, everyone can
experience a little of the
colour, music and energy of one
of the greatest shows on earth.
There are Carnival celebrations
around the world but Trinidad
and Tobago claim bragging rights
to one of the wildest. Each
January for two days before Ash
Wednesday pandemonium appears to
reign in the streets of Port of
Prince. But, in fact the revelry
is carefully planned and
choreographed weeks in advance
to make the spectacle even more
dazzling and outrageous.Carnival
T’n T-style is about a culture
celebrating itself in unity
while the raucous parties or
fetes pay head to a simple human
need to play and make believe.
Trinidad & Tobago Carnival 2K4
Exposed captures all the colour
and pageantry with quality
production values and frenetic
soca soundtracks.
Despite the pressing throng of
humanity, Trinidad and Tobago
Carnival is said to be an
individual experience. For those
willing to take the plunge, it’s
an opportunity to learn about
joy and the art of living.
The Planet Smashers - 10
(Stomp Records) -
The Planet Smashers have a taste
for both simple ska and elaborate
libations.They celebrate their 10th
anniversary together as Montreal’s
Kings of Ska, with a commemorative
DVD. And, one of their favorite
ways to celebrate is with a visit
to an authentic Tiki Bar like
Jardin’s, a Montreal landmark.
Maybe it’s those paper parasols or
maybe it’s the exotic drink names
but something keeps these boys
ordering more rounds. The boys
debate the finer points of
mixology over a few rounds in one
of the interview segments as part
of the '10' DVD package. What
will attract most viewers however
are the 12 light-hearted and
clever video clips. They've
recorded some inspired and
satirical tunes over the decade
including Surfin' In Tofino and I
Wish I Were American. Oh, and
there's a complete animated
feature called Catman, which may
not have Halle Berry's delectable
body in dom gear like Hollywood's
overblown Catwoman fiasco, but the
story doesn't suck either.
Cesaria Evora - Live
D'Amor (BMG) -
There aren’t many singers past
sixty years of age who still find
their careers spiraling upwards.
But then, there are few singers
like Cape Verde’s gift to the
world, the incomparable Cesaria
Evora who seems to have boundless
energy. Her latest studio CD, Voz
D’Amor was recorded in Paris
during breaks in her busy touring
schedule. Cize as she’s known to
her friends, takes the pace in
stride remarking, “Since there
always seems to be so little time,
over the years I
have
found this the best way to do a
recording.”
In Paris she’s also found a large
and loyal fan base and as a treat
to them, she performed a special
concert of new material at the
city’s oldest and largest movie
theatre.
Live D'Amor captures this
performance at the Le Grand Rex.
Bonus material includes a
backstage chat, a look at the Voz
d'Amor recording sessions and a
charming video clip called Mar de
canal, dedicated to the World Food
Program, a charitable organization
working in schools to address
child hunger. Cesaria
Evora has become a darling of the
world stage but she still calls
Sao Vicente home, the capital of
the remote island nation of Cape
Verde. The acclaimed diva performs
barefoot as a symbol of solidarity
with the ordinary folk of Cape
Verde, whose hard work is
celebrated on this new DVD
release.
Jim Moray - Sweet
England (Giraffe
Records)
- Sweet
England is the sweet taste of
discovery. You need the patience
of a prospector to sift through
the music of world. But, when
the glint of something golden
catches your ear it's more than
worthwhile, it's
revolutionary.Jim Moray is a 23
year old Brit who's making music
for the best reason ... for
himself. And, it's filling void
that until yet has not been
filled. As he puts it, "no one's
doing visceral boy's folk music
so it's my prerogative to make
it (read his enlightening
interview with Celt In A Twist
host Patricia Fraser in this
newsletter). Jim's taken classic
English folk melodies (you'll
recognize many once you hear
them) and, with the help of
Simon Emmerson and Mass from the
Afro Celts has exploded them
with 'Floydian' progressive
artistry. Brian Wilson took
decades of obsessing to complete
the opus, Smile. In Sweet
England, Jim Moray reveals an
equal production marvel recorded
mostly by himself in his home
recording studio! The album is
like the ring of bell on a foggy
evening ... a portent of good or
bad. The thrill is in the the
chill you'll feel up your spine
upon hearing it. Sweet England
is a bittersweet flavor that
always draws you back for just
one more taste.
Solas - Waiting
For An Echo (Shanachie)
- Solas
is making traditional Irish music
for those who may never have
developed a taste for the stuff in
the first place. Really,
anyone can appreciate the caliber
of the quintet's musicianship or
the exquisite musical conversation
between these long-associated
performers without being a fan of
gnarly old Celtic.True to their
Gaelic name, Solas are shining a
contemporary 'light' on Irish folk
music without going so far as
to turn it into something it's
not.However, each successive Solas
album does reflect the band's
explorative nature, bringing a new
emotion to the fore or fusing a
new sound to their assembled
voice. There are several good
examples on Waiting For An Echo.
Seamus Egan drives the band with
his instrumental versatility and
virtuosity, creating gorgeous
guitar textures with Eamon
McElholm on tunes like The Coconut
Dog and the Hanover Reel. Deirdre
Scanlon sings sweetly on The
Ploughman (undoubtedly for many
the first pick from the album).
It's poppy familiarity is unhinged
just enough with an Eastern
European counterpoint of fiddle
and accordion. If Solas are
sounding the depths, seeking more
converts to their song craft, they
should be pleased with the echo
that returns.
The
Duhks - The Duhks (Sugar Hill)
- Why did the duhk cross the
border? So the 'Bird' of the
Banjo, Bela Fleck could mix their
new album of course. Actually I've
heard no word that the Winnipeg
band is planning to defect south
but they are definitely fixing
their sites on an expanded market.
After many years and albums as
Scruj McDuhk and later in their
new incarnation as just The Duhks
featuring former -Victoria fiddle
whiz Tania Elizabeth and
new singer Jessica Harvey, the
group appears poised to
reintroduce themselves in a bigger
way. Bela Fleck is a great choice
for producer of the new
self-titled disc. Head Duhk,
Leonard Podolak is a highly
imaginative banjo picker himself
and probably had Bela pegged for
the job in his dreams for quite a
while now. While the album is to
be filed under 'Folk' their
eclectic sound entitles The Duhks
to come up with their own, wild
terms of classification from
"progressive soul-grass" to
"kick-ass rock/folk fusion" and ya,
there's plenty of Celtic in the
mix along with Quebecois and
Appalachian influences. This new
album may just be their ticket to
leaving the nest and taking on the
world. Fly away little Duhks and
Godspeed.
January 2005 Reviews
Flogging
Molly - Within
A Mile Of Home (SideOneDummy)
-
Flogging Molly is
Speed-Celtic from Southern
California. Dave King, the
leader of these seven
scallywags is an Irish
ex-pat who describes
Flogging Molly’s sound by
saying, “If it didn’t have
mandolin, accordion, fiddle
and whistle, it would be
punk rock, and if it didn’t
have guitar, bass and drums,
it would be traditional
Irish music.” But for all
his ferocity on stage and on
disc, Dave's a genteel soul,
deep thinker and a very
smart writer who's musical
expression is too large to
be wedged into either punk
or Irish camps as the new
album so brilliantly
demonstrates.Within A Mile
Of Home has as much to do
with King's admiration for
the late Johnny Cash as it
does with carrying on in the
tradition of the likes of
Joe Strummer and Shane
MacGowan. The songs segue
from the deep soul searching
of Don't Let Me Die Still
Wondering to the historical
reminiscence of Factory
Girls (a duet with country
maven Lucinda Williams) to
The Seven Deadly Sins, a
thoroughly possessed sea
shanty. Veterans of the Vans
Warped Tour, Flogging Molly
won't soon disappoint their
core fans by going all soft
and introspective.Through
Dave King's refined
penmanship and the band's
break-neck musicianship
there's real substance
here for those who wish to
find it, all within a mile
of home.
Glengarry
Bhoys - Mountain
Road (Keltic
Cross) - The
highland pipes are way loud!
If you want to compete, it's
best you plug in and crank
up. No acoustic instrument
stands a chance against
these mightiest of wind
bags. Maybe that's why
Celtic Rock's most potent
one-two punch is the
marriage of highland pipes
and electric guitar. From
Glengarry, Ontario, a
Scottish stronghold in the
New World since the early
1800's, comes the Glengarry
Bhoys (the 'h' is from the
Scottish Gaelic spelling ...
originally pronounced 'voys').
They're three laddies and
one lass who honor their
highland heritage by blowing
up traditional jigs and
reels as they hone their own
road-tested song craft. The
band's making fans the old
fashioned way, on tour,
playing as many as 200 shows
a year. Singer/guitarist
Graham Wright says, "our
biggest goal is to just keep
getting better and better
and progress every year. And
of course with doing 200
shows a year that’s going to
happen." Mountain
Road follows smartly on the
heels of last year's
terrific 'Rhoots', a disc
that featured the band's
retooling of Big Country's
eponymous hit. The new album
opens in a hail of pipe and
guitar volleys; a Scottish
battle cry called 'Donald'
which sets a blazing pace
for the rest of the disc to
follow.
December Reviews
Worldbeat
Chart Toppers
Charanga
Cakewalk - Loteria de la
Cumbia Lounge (Triloka
Records) - The
Cakewalk originated
among southern
plantation slave workers
in the eighteen
hundreds. The dance
poked fun at the formal
mannerisms of the elite
in the ‘master’s
house’. Charanga
Cakewalk updates the
concept with a twist of
Latin Lounge atmospheres
both real and virtual.
Charanga Cakewalk is the
brainchild of studio
whiz and sideman
extraordinaire, Michael
Ramos. He’s performed
alongside John
Mellencamp, Paul Simon,
The Bo Deans and The
Rembrandts but this
project reflects his
own, personal vision.
Michael describes the
new album, Loteria de la
Cumbia Lounge as “a
pan-Latin American
martini made with equal
parts traditional
instruments and deep,
urban grooves.”
It's a brilliant piece
of global
music sophistication
that still pokes a
little fun at elitism.
Various - Is
It Rolling, Bob? Vol.1 (Ras
Records)
- In
1965 Bob Dylan wrote an
ode to a fallen
debutante. His stinging
chorus asked “How does
it feel to be on your
own like a rolling
stone”. Dylan preferred
to save his praise for
those who would get up
and stand up for their
rights. Sound like
another Bob you know?
Dylan and Marley stood
for many of the same
principles which may
explain why many of
Jamaica’s
biggest stars jumped at
the chance to be a part
of an exciting new album
project called, “Is It
Rolling Bob”, a reggae
tribute to the music of
Bob Dylan. Amazingly,
many of Bob’s songs
translate easily into
the reggae vibe.
Produced by the infamous
Dr. Dread, Is It Rolling
Bob? features the
talents of Toots Hibert,
Beres Hammond, Gregory
Isaacs, JC Lodge,
Michael Rose, The Mighty
Diamonds with one of my
favorites, Lay, Lady,
Lay, and dancehall
superstar, Sizzla with a
tongue in cheek take on
Dylan's stream of
consciousness classic.
On
May 8th of
'65, Dylan
released a promotional
film for his new single,
Subterranean Homesick
Blues, which
pictured him holding up
placards with key words
from the lyric. It has
the distinction of being
THE very first music
video. Keep watching
world.beats for Sizzla's
equally low-budget
rendering.
Bossacucanova - Uma
Batida Diferente (Six
Degrees) - They
say to be truly creative
you have to think
outside of the box. So
it stands to reason that
those born without boxes
never have to waste time
learning this. Maybe
that's why
Bossacucanova's learning
curve has been so
steep. The trio
of DJ, bass and
keyboards grew up in the
musical scene around
Ipanema which is too
free and immense to be
contained. Their
first Six Degrees
self titled album
reflected three creative
souls mixing the
Brazilian sounds they
heard all around
them with the global
influences they were
increasingly being
exposed too. The formula
received a further coat
of polish and authentic
Brazilian soul on their
second album recorded
with the legendary
guitarist/composer, Roberto
Menescal. Uma Batida
Diferente, their third
effort expands on the
Menescal experiment,
featuring the trio in
collaboration with a
host of great writers
and performers like
Celso Fonseca, Marcos
Valle, Zuco 103 and once
again, Roberto Menescal.
Every track benefits
from an
irresistible union of
experienced composition
and creative mixology.
Various
- World 2004
(Wrasse Records) - Global
music has expanded
tenfold in the past
decade and it's a big
world indeed. It's
encouraging to know that
there are so many
world music makers on
our planet that
sometimes opening your
ears isn't enough, you
have to check in with
another's perspective.
Thanks to Wrasse Records
we in North America
can have an
annual check up
with broadcaster,
Charlie Gillett at the
BBC and hear what he is
being exposed to these
days. For 2004,
Charlie's assembled an
amazingly unpredictable
two CD set. He's
hand-picked choice cuts
from the four corners,
much of which has never
reached the shores of
the new world. The liner
notes are a little more
anecdotal than factoid
which is disappointing
for those eager to read
about the
intriguing artists
they're most probably
hearing from for the
first time. And, every
one of the 34 tracks has
something going on
you'll want to know more
about.
Pauline
Scanlon - Red Colour
Sun (Compass Records)
- Oh,
those Lunasa boys know
how to cherry-pick the
best buds from the
Black Rose. The band's
bassist, Trevor
Hutchinson introduced
us to the sublime
sweetness of Grada,
now Lunasa guitarist,
Donagh Hennessy opens
our ears to another
Irish vocal marvel,
Pauline Scanlon. To be
fair, accordionist,
Sharon Shannon has
tapped into Pauline's
vocal talents for a
couple of years now.
Stage centre, within
the context of her
album debut Red Colour
Sun, Pauline's
voice radiates warmth
and emotional
intensity without histrionics.Carving
out a middle ground
somewhere between
Sinead O'Connor's
crackling yodels and
Emer Kenny's
'wafer-thin' whispers,
Pauline offers an
unaffected Irish voice
which is supremely
suited to showcasing
the strength of the
traditional material
she's chosen. Apart
from some outstanding
Irish ballads, Pauline
treats us to the song
craft of Willie
Nelson, Peggy Seeger,
even Don McLean (Who
knew he wrote anything
else besides American
Pie?). Production-wise,
Hennessy and Co. have
taken care to frame
neatly without boxing
in Pauline's charm.
The Town Pants -
Weight Of Words
(Savage Pants)- I
don't want to spread
any nasty rumours but,
are The Town Pants
getting a little snug
around the waist? It
appears Vancouver's
lean, mean Celtic
machine has put on a
little girth with the
Weight Of Words. Don't
get me wrong, a few
extra pounds of wit,
wisdom and
instrumental
ornamentation looks
good on these girls
and boys.Point of
fact, I'd have to say
they've never been in
finer
form. Brothers Duane
and Dave Keogh, Aaron
Chapman and Virginia
Schwartz continue to
build on a reputation
of churning out
clever, hook-laden,
pub-ready
sing-a-longs. Following
on the heels of the
Hugh McMillan (Spirit
Of The West) produced
Piston Baroque, Weight
Of Words sees the
Pants taking the
knowledge they learned
from that effort back
into the studio for
their first shot at
self-production. Their
creative instincts
serve them well on the
new disc. There's even
a killer set of jigs
and reels by Virginia
titled, 'Diggin' The
Grave' segueing neatly
into our favorite,
'Mr. Valentine's
Dead'. Most
uncharacteristic and
one of the album's
biggest surprises is
the 6 minute, album
closing opus called
'Ships Made Of Wood'
which builds into a
mariachi horn and
drunken chorus
free-for-all with bass
and drums to pad out
the bottom no less.
Weighty indeed but it
just means there's
more of them to love.
Blame it on the
Guinness.
Dalla- Hollan Mauy!
More Salt! (Dalla Records) - Nothing
makes our spirit
soar like stumbling
on Celtic music from
one of the 7 nations
which, until now has
remained quietly
aloof from our
grasp. My thanks to
Nancy Carlin, an
intrepid American
promoter of global
music who hooked my
up for my exposure
to the music of
Dalla, a
talented group from
Cornwall. For the
geographically-challenged
(like myself), Dalla
offers this global
positioning
statement at their
website,
www.dalla.co.uk
"Cornwall is a small
Celtic land (roughly
the size of
Luxembourg or
Brunei) jutting out
into the Atlantic
ocean halfway
between Ireland and
Brittany. It is a
small land with a
giant history. A
history with its
roots firmly in
Celtic culture, but
also an extremely
cosmopolitan history
buzzing with a host
of other influences,
due to ancient
maritime links with,
and waves of
emigration to and
from, all parts of
the world." Those
influences weave
throughout the
fabric of this
band's current
release, Hollan Mauy!
More Salt! Fiddle,
guitar, bouzouki and
accordion flavors
immediately centre
the material within
the borders of the
Celtic world, but
other strong voices,
like clarinet and
darbuka drum cast a
net to the east
adding textures of
Byzantine and
Klezmer. Add the
Carnival bluster of
trumpets and
trombones and a
familiar Quebecois
feel (a la La
Bottine Souriante)
becomes apparent.
On the album, he
group's roster seems
to have swelled from
the trio indicated
on their website
including Neil Davey
(fiddle, bouzouki,
vocals), Hilary
Coleman (clarinet,
vocals), Simon
Lockley (guitars,
vocals), Bec
Applebee (darbuka,
vocals) and Pete
Kubrick-Townsend
(double bass). More
Salt! and pass the
Cornish music,
please!
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